Jennifer
Ansley is a second year graduate
student in the Ph.D. program in English at the
University of Southern California. Her primary
areas of interest are late nineteenth- and early
twentieth-century literature, transnationality,
and queer studies. She is currently focusing
on the concept of citizenship in relationship
to race, gender, sexuality, and nationality.
Ruth L. Bohan is
Associate Professor in the Department of Art
and Art History at the University of Missouri-St.
Louis. She is the author of the forthcoming
book, Looking into Walt Whitman: American
Art 1850-1920 (Penn State UP, 2006), and
of The Société Anonyme's Brooklyn
Exhibition: Katherine Dreier and Modernism in
America (UMI, 1982). She has published
articles on Whitman and American art in
The Cambridge Companion to Walt Whitman
(Cambridge UP, 1995), The Walt Whitman Quarterly
Review, The Mickle Street Review
and Walt Whitman and the Visual Arts
(Rutgers UP,1992).
Tim Campbell is a
Master’s degree candidate in English at
Rutgers University-Camden. He is currently student
teaching and will become a high school English
teacher next year.
Bonnie Carr is Visiting
Assistant Professor of English at Wake Forest
University. She is currently at work on a book,
Singular Success: Authors as Celebrities
in Mid-Nineteenth-Century America.
Michael Dressman
is a Professor of English at the University
of Houston-Downtown, where he served as dean
of humanities and social sciences from 1989
to 2003. He has a long-standing interest in
English language history and policy, and he
owes much of his knowledge of and appreciation
for Walt Whitman's language to his mentor, C.
Carroll Hollis.
Tom Farley is a Master’s
degree candidate in English at Rutgers University-Camden.
Ed Folsom, Carver
Professor of English at The University of Iowa,
is the editor of The Walt Whitman Quarterly
Review, co-director of the Walt Whitman
Archive and the author or editor of five books
on Whitman, including: Walt Whitman's Native
Representations and Whitman East and
West. He directed the Whitman Centennial
Conference in 1992 and edits the Whitman Series
for the University of Iowa Press. His essays
on American poetry have appeared in numerous
journals and books including: American Literature
and The Cambridge Companion to Walt Whitman.
Ted Genoways is the
author of one book of poems, Bullroarer (Northeastern,
2001), winner of the Samuel French Morse Poetry
Prize, and editor of six books, most recently,
Walt Whitman: The Correspondence, Vol. VII
(Iowa, 2004). His essays on Whitman are forthcoming
in A Companion to Whitman (Blackwell,
2006) and Leaves of Grass: The 150th Anniversary
Conference (Nebraska, 2006). He is editor
of the Virginia Quarterly Review at
the University of Virginia, for which he edited
a special issue of essays on the 150th anniversary
of Leaves of Grass in Spring 2005.
Lynda L. Hinkle is
a Master’s degree candidate in English
at Rutgers University-Camden. She teaches composition
at Camden County College. You can find her on
the web at http://clam.rutgers.edu/~llhinkle/.
Denise Dawn Hubert
is a graduate student in English at the University
of British Columbia, where she is currently
writing her M.A. thesis on the stylistics of
(dis)embodiment and (dis)location in Whitman's
poetry. Her research is funded in part by a
grant from the Social Sciences and Humanities
Research Council of Canada.
Joann P. Krieg, professor
of English at Hofstra University, authored A
Whitman Chronology (1998) and Whitman
And The Irish (2000), both from University
of Iowa Press, and edited Walt Whitman,
Here And Now (Greenwood, 1985). She has
published numerous articles on Whitman, notably
"Without Walt Whitman in Camden,"
in The Walt Whitman Quarterly Review
(1996/1997).
Ian S. Maloney completed
his Ph.D. in English and Certificate in American
Studies at the CUNY Graduate Center in 2004
and currently serves as Assistant Professor
of English at St. Francis College in Brooklyn
Heights, New York. His first monograph, Melville’s
Monumental Imagination, is slated for publication
by Routledge in 2006, and a recent collaborative
article, “The Orphic Quest for Contact
and Collaboration across Disciplinary Lines,”
has been published in Collaborating, Literature,
and Composition: Essays for Teachers and Writers
of English (Hampton Press, 2005). He is completing
an Introduction for a new Barnes and Noble edition
of Melville's Israel Potter and serves
as a Lecturer in the NEH-funded Speakers in
the Humanities series.
Rosemary McAndrew
is Assistant Professor/Librarian at the Community
College of Philadelphia and a Master’s
degree candidate in the English Department at
Rutgers University-Camden. Her article “Teaching
Heart: Active and Collaborative Learning in
the Developmental Writing Classroom” will
be published in the fall issue of Viewpoints,
a journal of developmental and collegiate teaching,
learning, and assessment.
Jesse Merandy is
currently in the Ph.D. program at the CUNY Graduate
Center and is teaching at John Jay College in
New York. He received his Masters degree from
Rutgers Univeristy-Camden and has been the Managing
Editor and designer for Mickle Street Review
from 2003-2005.
Paul Milton is an
assistant professor in the Department of Critical
Studies at the University of British Columbia-Okanagan,
where he teaches American and Canadian literatures.
He has published articles on Leonard Cohen,
Alden Nowlan, and George Eliot.
Joseph C. Murphy
is an assistant professor of English at Fu Jen
Catholic University in Taiwan, and editor of
Fu Jen Studies. His publications include articles
on Whitman, Cather, and Flannery O’Connor
in Modern Language Studies, Literature
and Belief, and forthcoming in Cather Studies.
Currently, he is writing a book on Whitman,
Howells, Henry Adams, and the culture of world’s
fairs.
Natalie A. Naylor
is professor emerita from Hofstra University
where she taught Long Island and American social
history. She was director of its Long Island
Studies Institute from its founding in 1985
until she retired in 2000. Dr. Naylor edited
several Institute books and has been editor
of the Nassau County Historical Society Journal
since 1996.
Marianne Noble is
an Associate Professor in the Department of
Literature at American University in Washington,
DC. She is the author of The Masochistic
Pleasures of Sentimental Literature (Princeton
UP, 2000) and articles on Emily Dickinson, Mark
Twain, Nathaniel Hawthorne, and American Gothic
literature. She is currently working on a project
entitled Sympathy and the Quest for Genuine
Human Contact in Nineteenth-Century American
Romanticism.
William Pannapacker
is Assistant Professor of English and Towsley
Research Scholar at Hope College in Holland,
Michigan. He is the author of Revised Lives:
Walt Whitman and Nineteenth-Century Authorship
(2004), and he is currently writing a book called
Walt Whitman's Cities.
Kenneth Price holds
the Hillegass Chair of Nineteenth-Century American
literature at the University of Nebraska-Lincoln.
He is the author of over thirty articles and
author or editor of eight books, including Whitman
and Tradition, Walt Whitman: The Contemporary
Reviews, and To Walt Whitman, America.
With Ed Folsom, he recently published Re-Scripting
Walt Whitman: An Introduction to His Life and
Work. He and Folsom co-direct the electronic
Walt Whitman Archive. A permanent endowment
to support the work of the Whitman Archive
is now being built at the University of Nebraska
with the help of a recently awarded NEH challenge
grant.
John Roche is an
Assistant Professor of Language & Literature
at Rochester Institute of Technology in Rochester,
NY. His PhD dissertation (University of Buffalo)
explores affinities between Walt Whitman and
Frank Lloyd Wright. His Whitman-related essays
and articles have appeared in the Walt Whitman
Quarterly Review, the Walt Whitman
Encyclopedia, ATQ: American Transcendental
Quarterly, the Journal of Pre-Raphaelite
Studies, and Choice: Current Reviews
for Academic Libraries. He is currently
at work on a book titled Crafting an American
Bohemia: Whitman Enthusiasts, ‘Free Thought,’
and the Little Magazines of the Arts-and-Crafts
Era.
Mercy Romero is a
Ph.D. candidate in the Department of Ethnic
Studies at the University of California, Berkeley.
Her dissertation, "American Landscapes
and Experimentalisms," studies the writing
and cultural work of artists such as Walt Whitman,
African American writer Gayl Jones, and Chickasaw
writer Linda Hogan. Mercy is a mother to a 14-month-old
son, and is from Camden, NJ.
Evan James Roskos
is a Master’s degree candidate and composition
instructor at Rutgers University-Camden. He
is currently researching representations of
crime and criminals in American literature for
his thesis. |